SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.

SEEKAE’s debut album The Sounds of Trees Falling on People was met with unanimous acclaim, with Rolling Stone calling it ‘as ambient and mesmerizing as an iced-over forest’, and Sydney radio station FBI dubbing it one of the best Australian albums of the decade.

A strikingly assured collection of intricate, dynamic electronica, SEEKAE’s debut lp was rich in its detail, ambitious in its scope, running through 8-bit electronica, buoyant pop, ambient wash and surging, noisier workouts. With a live show to match, in 2009 Seekae won Best Live Act at Sydney’s Music Arts and Culture wards.