CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

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CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here

CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here

CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here

CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here

CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here

CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here

CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here

CLOCK OPERA make extraordinarily accessible electronic pop music. They may draw from such esoteric sources as the systems music of Steve Reich and Philip Glass and have played their second ever gig at the Queen Elizabeth Hall backing the Ballet Rambert, but you don’t need any special qualifications to enjoy what they do – just an appreciation of idiosyncratic electronic and organic sounds.

Guy Connelly, the vocalist, guitarist, sampler and master machinist behind Clock Opera can be placed in that small but select pantheon of distinguished male pop vocalists that also includes Billy Mackenzie of Associates, Haydon Thorpe of Wild Beasts and Antony Hegarty of Antony and The Johnsons, all singers unafraid of expressing themselves in an unguarded, emotional way.

Andy West (bass, guitar, synths), Che Albrighton (drums, samples) and Dan Armstrong (samples, synths, keyboards, backing vocals) join Guy on stage and make guitars sound like harp glissandos and keep the pace with his constantly evolving ideas and methods of chopping up sounds into smithereens and fiddling with them sonically and in terms of pitch and rhythm.

PLUS SUPPORT FROM

FICTION + DUOLOGUE + TOURIST (DJ)

Tickets from:
www.ticketweb.co.uk

0844 477 1000

www.seetickets.com

0870 264 3333

www.hmv.com

Follow on us Twitter here

Join us on Facebook here

Visit our Tumblr here