After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333

After a phenomenal sell out show at Brixton Academy, we are proud to present the amazing BEIRUT at Hammersmith Apollo.

In a typical teenager’s New Mexico bedroom, Zach Condon recorded Gulag Orkestar shortly after quitting college, with some help from local musicians Jeremy Barnes and Heather Trost (A Hawk and a Hacksaw). For him, it was nothing new, having recorded hundreds of songs since he was fifteen the same way. This time, however, a flood of attention followed, as online raves lead to reverential fandom, international acclaim, and a tsunami of interviews, photoshoots and features, as Condon and his newly formed band traveled to Russia, Poland, Turkey and throughout North America and Europe.

Astonishingly, he proved himself as talented a bandleader as composer. New songs were written, album songs reworked, and the band’s shows quickly developed to dramatic heights far beyond its mere months-long existence. This band went on to record an EP, Lon Gisland, in 2007, which marked the first Beirut recordings with the live ensemble. Half a year later, Beirut came out with another album, The Flying Club Cup. Inspired by an obscure photo from 1910 depicting hot air balloons taking flight mere steps away from the Eiffel Tower, an image Zach stuck to the wall for inspiration, The Flying Club Cup is an homage to France’s culture, fashion, history and music.

In 2009, Beirut released the double EP March of the Zapotec & Realpeople: Holland. The first was partly recorded in Oaxaca with the Mexican Banda Jimenez, and a more pronounced South-American flavor. The second EP ‘Holland’ was credited to Condon’s old name Realpeople and consists of five electrotracks.

Summer 2011 saw the release of The Rip Tide on Condon’s own Pompeii Label, Beirut’s first proper LP since The Flying Club Cup. Written in isolation during a snowy upstate winter, the album marked a stark change in emotional direction, that is to say, inward. Reflecting less on the travels and travails borne of the wanderlust struck musician, instead, The Rip Tide has crystallized the sounds of Beirut’s past into a cohesive and remarkable whole, all while maintaining the unmistakable aesthetic that has brought them around the world, and home again.

Plus support from brilliant recent 4AD signing DAUGHTER

The London-based trio of Elena Tonra, Igor Haefeli and Remi Aguilella, collectively known as Daughter, has signed to 4AD worldwide, outside of North America.

On the strength of just two EPs, His Young Heart and The Wild Youth, Daughter have built for themselves a dedicated following, illustrated by their sold-out show at the 700-capacity Assembly Hall in North London. No mean feat for a band whose current incarnation has been performing together for a mere eighteen months.

Commenting on their new career path, Daughter say, “We couldn’t be happier to be working with 4AD, a label that has released so many inspirational records and whose ethos we hold in very high regard. It really is a privilege.”

Daughter are working on their debut album. In the mean time, the trio will be playing the following shows. You can also watch an acoustic performance of ‘Medicine’ below, a track taken from The Wild Youth EP.

Tickets from www.seetickets.com 0870 264 3333