ARCHIVE OF 2011 EVENTS2011 ARCHIVE  

Metronomy

SUMMER CAMP + GHOSTPOET + DUOLOGUE
O2 Shepherds Bush Empire
Saturday 16 April 2011

£13 IN ADVANCE
WWW.MYSPACE.COM/METRONOMY, WWW.MYSPACE.COM/SUMMERCAMPMUSIC, WWW.FACEBOOK.COM/GHOSTPOETFB, WWW.MYSPACE.COM/DUOLOGUEMUSIC

Electro-pop maestros METRONOMY are back in 2011 with a show at Shepherds Bush Empire.

The metronome is not a device known for its deviation. It strikes a predictable, functional pattern. Each time Metronomy release an album, on the other hand, there is a scorched earth change of pace and tone. Yet the pulse never disappears, it just reanimates for a brand new dancefloor.

Metronomy’s third album – and second, after Nights Out, on Because Music – is a belting, unashamed pop album, a gorgeous record full of languid, sunset funk songs, which looks set to propel Metronomy even further than they have travelled thus far. The gorgeous ‘Everything Goes My Way’, featuring the voice of Roxanne Clifford of Veronica Falls, is an understated summer classic. The organ hook that defines first single ‘The Look’ burrows into your head and doesn’t leave. Crucially too, it is an album that is even more danceable than its predecessor.

They started out in Totnes in Devon, after Mount had spent years drumming in “loads of bands, some questionable” at school. Drunk on Björk and Aphex, he locked himself away in his bedroom and started recording on his computer. Lead singer of the band, Joesph Mount still writes all the songs, and keeps a “Kevin Rowland-like” grip on the way they are produced, but live Metronomy is definitely a quartet.

Mount is pleased with the path the band is heading down, although he is still keen to keep things fresh next time round. “I definitely had no intention of doing the same thing again. I like the stuff that changes,” he says. “I still feel like we’re starting out in our career. One day there might come a time when we’ll have released a huge output that people can draw lines between and look for similarities.” For now, though, we can just enjoy the warmth of The English Riviera, the latest instalment in Metronomy’s epic journey into pop’s heartlands.

London based SUMMER CAMP now create the kind of utterly mesmeric, sepia-toned dream pop which seems predestined to form the perfect soundtrack to first kisses and adolescent crushes; romance and yearning. The melancholic “Ghost Train”, for instance, sounds not unlike girl groups from the 60’s wrapped in a warm blanket of lo-fi gauze and dusted lightly with pure pop sugar. This did not go unnoticed by hip London label Moshi Moshi, responsible for discovering and launching the careers of amongst others, Kate Nash, Hot Chip and Friendly Fires, and they released the track in March 2010 to much critical acclaim. ‘A’ Listed on BBC6 music and now named in the top 50 tracks of the year in NME Magazine, Ghost Train is a much adored pop song which cemented Summer Camp’s position as one of the most exciting new prospects of the year.

Recently migrated from the capital city of the West Midlands – Coventry – to the southerly climes of London, GHOSTPOET’s definitely a name to watch in 2011. Born and raised somewhere between London, Coventry, Nigeria and Dominica, Obaro admits that his heritage is important to him, but that it hasn’t consciously affected his musical career: “My parents enjoyed listening to music around the house but never really encouraged it as a career. I kind of pursued listening to various sounds late into the night when the house was asleep.” And as for attempting to pinpoint his tastes… it’s hard to gauge when his palette flips from Badly Drawn Boy’s ‘The Hour Of The Bewilderbeast’ (the first CD he ever bought) to the angular dynamics of the UK grime scene via Iggy Pop, Fela Kuti, Radiohead, MF Doom and Squarepusher.

The softly spoken 27 year-old has already won over BBC Radio 1 tastemakers Gilles Peterson and Huw Stevens with a free EP entitled ‘The Sound Of Strangers’ which also hit a hungry online audience and earned Ghostpoet a coveted spot in The Guardian’s “New Band Of The Day” as well as glowing recommendations from NME, CMJ, RCRDLBL, URB, Drowned In Sound and The Mercury Prize.

London based five piece DUOLOGUE emerged last year from a number of self curated events across the city. Fusing patched up electronic music over stomping guitar-driven marches, rumbling bottom end bass and atmospheric violin and vocals the result is a unique sound and an audio journey of epic proportions. The ethos behind their majestically experimental yet melodic songs is to the serve the sound and make the music centre stage.

www.ticketweb.co.uk

08444771000

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0870 264 3333

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Metronomy

Steve Mason

SPECIAL GUESTS
Scala
Wednesday 13 April 2011

£14 ADVANCE
WWW.MYSPACE.COM/STEVEMASONLOVESYOU

After releasing his first album under his own name, Steve Mason has gone from strength to strength. Following an awe inspiring set at last year’s Field Day, and sold out shows at Cargo and XOYO, we are happy to announce this new show at the Scala.

Former Beta Band front man Steve Mason is one of the brit-pop generation’s few genuinely brilliant and original songsmiths. Having previously released music under the aliases King Biscuit Time and Black Affair, Steve Mason released his first album under his own name, Boys Outside, in March last year. In this new, stripped back setting of muted guitars and piano melodies, Steve Mason’s troubled lyrics are devastatingly direct. Much of The Beta Band sound is still present – the off-kilter melodies and electro influence – but this time the songs also offer an elegant blend of trilling piano, strummed guitar and crisp digital beats.

“The lovelier the music – in the swooshing, soaring chorus of The Letter, or the shimmering All Come Down – the more achingly fragile Mason sounds.” – The Guardian

“His beautifully dignified performance provides just the right amount of therapeutic release without tipping…into over-sentimentalism” – Pitchfork

“Mason’s talent for conjuring up dream-like melodies and hypnotic rhythms is apparent on the tranquillising yet twinkling ‘All Come Down'” – Drowned In Soun

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Tickets from

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0844 477 1000

www.seetickets.com

0870 264 3333

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Steve Mason

Architecture In Helsinki

SPECIAL GUESTS
XOYO
Tuesday 12 April 2011
Sold Out

SOLD OUT
WWW.MYSPACE.COM/AIHMUSIC

Multiinstrumentalists ARCHITECTURE IN HELSINKI are back with a London show at XOYO.

You may not have expected it, all the way from Melbourne, but the first great modernist pop album of 2011 is here. Four years on since their last album, Architecture In Helsinki return with the hook-laden, magnetic and lush
“Moment Bends”. It sounds like the album they’ve waited their whole lives to make, retaining the fizzing immediacy of its three predecessors and re-moulding with a more sophisticated, grown-up touch.

“We started writing in mid-2008,” Bird recalls. “We had a love-hate relationship with the creative process. We wanted so bad to make a record that we didn’t have to make excuses about, that we wouldn’t cringe when we listened to it in ten years.” To ensure they didn’t spend ten years making it, the band enlisted long-time friend Francois Tetaz to produce the new tracks. Bird says that Tetaz broke them out of their routine; “we were going over every single sound and inflection and ghosted note with a fine tooth comb, and at the same time it needed to feel effortless and not overworked.” Job well done, then, going by how the percolating synths, dovetailing vocals and charged beats merge in a flurry of excitable hooks.

Here is a downloadable link for the single “Contact High” of the new album “Moment Bends”

http://media.architectureinhelsinki.com/Contact%20High.mp3

Also, below is a story from pitchfork about the band’s new album.

http://pitchfork.com/

SOLD OUT

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Architecture In Helsinki

Dels (Live)

JOE GODDARD (HOT CHIP) + MICACHU
Colours
Thursday 7 April 2011

£6.50 ADVANCE
WWW.MYSPACE.COM/IMDELS

In an era of homogeneous hip hop, the music of Kieren Dickins – better known as his on-stage alter ego DELS – comes as a breath of proverbial fresh air. DELS’ signature sound belies a truly eclectic range of musical influences, from his days in a two-step garage band as a teenager, to a long-standing creative partnership with Joe Goddard from electro-pop wonder team Hot Chip. The resulting product is a unique mishmash of squelchy basslines, tinkering keys, syncopated drum patterns and the occasional steel pan, all juxtaposed by DELS’ infectiously languid flow.



Dels (Live)

Errors

SPECIAL GUESTS
Bethnal Green Working Mens Club
Thursday 7 April 2011
Sold Out

SOLD OUT
WWW.MYSPACE.COM/WEAREERRORS

Touted as the natural successors to the mantle currently held by the likes of Battles, Hot Chip and LCD Soundsystem, post-electro band ERRORS formed in Glasgow in 2004, a union between Simon Ward, Stephen Livingstone and Greg Paterson.
ERRORS merge spiky new-wave guitars with deep bass-y Acid sounds with a knack for melody and pop hooks beyond their years. Errors manage to retain the elements of new-wave and acid-house that marked their early releases and build on it; a merge of angular guitars, spiraling, euphoric synths and informed dance sounds underpinned by truly mesmerising beats and rhythms in expansive, ambitious style.

SOLD OUT

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Errors

Kate Nash

SPECIAL GUESTS
Bush Hall
Saturday 2 April 2011
Sold Out

SOLD OUT
WWW.MYSPACE.COM/KATENASHMUSIC

THIS EVENT IS NOW SOLD OUT

Kate Nash has just confirmed an up-close and intimate tour of the UK. Kicking off in March 2011, the tour will take in 17 dates across the country with Kate visiting some of the most intimate venues she has played in years, kicking off in Stoke and wrapping up in Edinburgh on April 10.

This extensive UK regional tour will follow on from a big 2010 for Kate which saw her perform a string of festival dates including Glastonbury, V and Lilith Fair as well as a critically acclaimed, 20 date US headline tour, culminating in a sold out show at New York’s iconic Terminal 5 venue.

Throughout 2010 Kate was a vocal contributor to the continuing debate on the portrayal and role of women in music. Voicing her strong opinions through her own music, live shows and the media. Her self- penned article in the Independent newspaper titled ‘Real Sexiness Is About Art, Mystery And Intelligence’ triggered an emotional reaction from the papers readers and her fans upon publication and promoted even further positive discussion of the issue.

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Kate Nash

Summer Camp

WILDER + BOY MANDEVILLE
ICE BLACK BIRDS
XOYO
Thursday 31 March 2011

£3 ADV
WWW.LYLEANDSCOTT.COM/FCP/CONTENT/GIG-4-SUMMER-CAMP/CONTENT

We are really excited to announce the 4th and final installment in our Lyle and Scott curated by series. We have been lucky enough to host such artists as James Yuill, Babeshadow, Tribes and many more, and this months line up is just as exciting, with Summer Camp, Wilder, Boy Mandeville and Ice Black Birds.



Summer Camp

Matthew Dear (Live)

DUOLOGUE + BLOGGERS DELIGHT
Corsica Studios
Wednesday 23 March 2011

£11 ADVANCE

NB – VENUE CHANGE – SPECIAL CLUB SHOW at CORSICA STUDIOS. Original tickets for the Scala will be valid for Corsica Studios.

MATTHEW DEAR is a man of many different guises, whether creating and remixing under his own name, or one of his alter-egos – Jabberjaw, False, and Audion. Depending on who you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader.

He co-founded both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language.

Matthew Dear’s new album, ‘Black City’, is an album centred around the Black City that Matthew Dear has created. The Black City can’t be found on any map. It’s a composite, an imaginary metropolis peopled by desperate cases, lovelorn souls, and amoral motives. Like most literary Gothams, Black City is a place to love and hate, as seedy as a nightclub’s back room and as seductive as the promise of power. Matthew Dear, the musician, may live in New York City, but the Matthew Dear of Black City inhabits a sound-world unlike any other: a monument to the shadowy side of urban life that bumps and creaks, shudders and wakes up screaming in the middle of the night. Black City is Matthew Dear’s third album on Ghostly International, and it’s his darkest and most engrossing work to date. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

London based five piece DUOLOGUE emerged last year from a number of self curated events across the city. Fusing patched up electronic music over stomping guitar-driven marches, rumbling bottom end bass and atmospheric violin and vocals the result is a unique sound and an audio journey of epic proportions. The ethos behind their majestically experimental yet melodic songs is to the serve the sound and make the music centre stage.

A club-brand of four years vintage, and stage hosts, BLOGGER’S DELIGHT carved a niche for themselves by throwing tiny, free Sundays at the Lock Tavern, in Camden, making it the unlikely setting for an intimate raving atmosphere. Along the way, they’ve played host to Justice, Brodinski, Beyond The Wizard’s Sleeve and Simian Mobile Disco, and offered debuts to many big names in forward-thinking electronic music. Growing symbiotically with the night, which now takes place regularly in Paris, Lausanne, Athens, Amsterdam and all over the UK, the resident DJs (CASPER C, SKULL JUICE and NIKNIKNIK) have done a great job of observing a safe distance from the latest scenes and fads, staying true to their commitment to a music policy which maintains a fine balance between the timeless, and the novel.



O. CHILDREN
THE CHAPMAN FAMILY

Cat’s Eyes

The Amadeus Centre
Friday 18 March 2011

£13.50 ADVANCE
WWW.CATSEYESEYES.NET/

CAT’S EYES are a duo, formed by Rachel Zeffira, a renowned Canadian opera soprano and classical multi-instrumentalist based in London, and Faris Badwan, the statuesque singer from noisy British psychedelic-rockers The Horrors. The collision of their two very separate worlds, bring together all kinds of dualities – pop/classical, traditional/avant-garde, acoustic/electronic, virtuoso/novice, male/female, happy/sad amongst others.

Their debut album, called simply ‘Cat’s Eyes’, is a romantic pop masterpiece taking influence from mid-’60s productions by Phil Spector, Joe Meek and Shadow Morton, but with a fiercely modern, experimental premise. For Faris, it is a major departure from the whirlwind noise of The Horrors. For Rachel, too, it has been a big change from the gruelling work of rehearsing and performing operas and classical pieces in some of the world’s biggest concert halls.

Having put so much of their extra-curricular time into making ‘Cat’s Eyes’, the duo decided that they wanted to promote the project with a series of unusual events. The first took place in December, amid some secrecy, at St Peter’s in the Vatican, which they arranged through Rachel’s connections there, from her Verona days. They performed a reworked version of ‘I Knew It Was Over’ during an afternoon mass, which was attended by seven high-ranking cardinals.

‘Broken Glass EP’ released 28th February on Polydor, the debut album ‘Cat’s Eyes’ follows in April.

 

Tickets from:
www.ticketweb.co.uk
08444 771000
www.seetickets.com
0870 264 3333

And in person from Rough Trade East



Cat’s Eyes

Psychologist

SPECIAL GUESTS
St Matthias Church
Wednesday 16 March 2011

£5 IN ADVANCE
WWW.PSYCHOLOGISTMUSIC.COM

PSYCHOLOGIST who has found his home on Moshi Moshi’s
Not Even imprint will performa a special live version of his debut EP at a Hackney church in March.

The aforementioned debut EP ‘Waves of OK’ comes out the same month and the recording is part of a two-part release, ‘Epidural’.

In his own words:

Part One (Waves of OK EP) is a collection of tender, pensive songs which all contain references to looking out for somebody; being a guardian angel of some sort. In order to be faithful to this feeling of tenderness, we chose to record the songs all in the space of one day in St Matthias Parish Church, Stoke Newington, where we will be performing the live incarnation with a twelve-piece choir.

The link below will take you to a truly bizarre video for the lead track ‘Comes in Waves’. For more info:

www.psychologistmusic.com

www.vimeo.com/19983412

Tickets £5 advance from:

www.seetickets.com

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SXSW.COM/HOME

Eat Your Own Ears are hosting a SXSW event with The Windish Agency, Laneway Festival and The Austinist (Austins most important online music media outlet for those outside USA).

We are holding the day party at the legendary MOHAWK on Wednesday March 16th with artists showcasing over two stages from midday through until 6PM.
Full Line Up:
CLOUD CONTROL, CLOUD NOTHINGS, FOSTER THE PEOPLE, GIVERS, HANNI EL KHATIB, HUW STEPHENS – DJ SET, JAMIE WOON, MOUNT KIMBIE, ROYAL BANGS, THE HOLIDAYS, THE JEZABELS, TWIN SHADOW



EYOE at SXSW

Cat’s Eyes

St Philips with St Stephens
Monday 14 March 2011

£10.50 ADVANCE
WWW.CATSEYESEYES.NET/

CAT’S EYES are a duo, formed by Rachel Zeffira, a renowned Canadian opera soprano and classical multi-instrumentalist based in London, and Faris Badwan, the statuesque singer from noisy British psychedelic-rockers The Horrors. The collision of their two very separate worlds, bring together all kinds of dualities – pop/classical, traditional/avant-garde, acoustic/electronic, virtuoso/novice, male/female, happy/sad amongst others.

Their debut album, called simply ‘Cat’s Eyes’, is a romantic pop masterpiece taking influence from mid-’60s productions by Phil Spector, Joe Meek and Shadow Morton, but with a fiercely modern, experimental premise. For Faris, it is a major departure from the whirlwind noise of The Horrors. For Rachel, too, it has been a big change from the gruelling work of rehearsing and performing operas and classical pieces in some of the world’s biggest concert halls.

Having put so much of their extra-curricular time into making ‘Cat’s Eyes’, the duo decided that they wanted to promote the project with a series of unusual events. The first took place in December, amid some secrecy, at St Peter’s in the Vatican, which they arranged through Rachel’s connections there, from her Verona days. They performed a reworked version of ‘I Knew It Was Over’ during an afternoon mass, which was attended by seven high-ranking cardinals.

‘Broken Glass EP’ released 28th February on Polydor, the debut album ‘Cat’s Eyes’ follows in April.

 

Tickets from:
www.ticketweb.co.uk
08444 771000
www.seetickets.com
0870 264 3333

And in person from Piccadilly Records:

http://www.piccadillyrecords.com/shop/index.php

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Cat’s Eyes

Visions Of Trees

EVRYONE + GUESTS
The Macbeth
Thursday 3 March 2011

DOWNLOAD YOUR FREE TICKET FROM TICKETWEB
WWW.MYSPACE.COM/VISIONSOFTREES, WWW.MYSPACE.COM/ISEVRYONE

Visions of Trees are East-London based electronic two-piece, who make shadowy pop music with a modern R&B and dance twist.

Evryone are a young British alternative pop band hailing from the Home Counties. Already picking up comparisons to TV On The Radio and Cold War Kids, Evryone create a blend of eccentric soul pop, which is delivered with brazen theatricality.

Download your FREE ticket from Ticketweb HERE